Collections Policy

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Book Challenge Procedure Explained

Official Book Challenge Complaint Form

Level 1: Informal complaint to BHS Library Staff and/or BHS Building Principal

Level 2: Formal complaint to BHS Building Principal

Level 3: Formal complaint to District Superintendent

Level 4: Formal complaint District School Board

The Book Challenge Process: 
In the event there is a book challenge, the challenger(s) and school will follow the school district's 
"Uniform Complaint Procedure" as per the Belgrade School District #44's School Board Policy. Once all parties involved are satisfied with the proposed resolution, the matter is considered resolved. Resolution can happen at any stage in the process. If, however, the parties cannot come to an agreement, the challenge will continue chronologically through the levels of the Uniform Complaint Policy until the mater reaches a resolution (see diagram above and/or the School Board Policy). 

The Official Book Challenge Form: 
In the case of a formal book challenge (Level 2 and higher), challengers are asked to fill out our official book challenge form. This form is meant to serve as a communication tool to help challengers and the school district fully understand the nature of the complaint so a resolution can be reached efficiently. The form can be found on the next page or challengers may request a copy from the Belgrade High School Librarians. 

Belgrade School District #44 School Board Policy: Learning Materials Review (2314)

Belgrade School District #44 School Board Policy: Uniform Complaint Procedure (1700)

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Library Bill of Rights

The Freedom to Read Statement

Freedom to View Statement

Library Bill of Rights

The American Library Association affirms that all libraries are forums for information and ideas, and that the following basic policies should guide their services. 

1. Books and other library resources should be provided for the interest, information, and enlightenment of all people of the community the library serves. Materials should not be excluded because of the origin, background, or views of those contributing to their creation.
2. Libraries should provide materials and information presenting all points of view on current and historical issues. Materials should not be proscribed or removed because of partisan or doctrinal disapproval.
3. Libraries should challenge censorship in the fulfillment of their responsibility to provide information and enlightenment.
4. Libraries should cooperate with all persons and groups concerned with resisting abridgment of free expression and free access to ideas.
5. A person's right to use a library should not be denied or abridged because of origin, age, background, or views.
6. Libraries which make exhibit spaces and meeting rooms available to the public they serve should make such facilities available on an equitable basis, regardless of the beliefs or affiliations of individuals or groups requesting their use.

Adopted June 19, 1939. 
Amended October 14, 1944; June 18, 1948; February 2, 1961; June 27, 1967; and January 23, 1980; 
inclusion of "age" reaffirmed January 23, 1996, by the ALA Council. 

The Freedom to Read Statement

The freedom to read is essential to our democracy. It is continuously under attack. Private groups and public authorities in various parts of the country are working to remove or limit access to reading materials, to censor content in schools, to label "controversial" views, to distribute lists of "objectionable" books or authors, and to purge libraries. These actions apparently rise from a view that our national tradition of free expression is no longer valid; that censorship and suppression are needed to counter threats to safety or national security, as well as to avoid the subversion of politics and the corruption of morals. We, as individuals devoted to reading and as librarians and publishers responsible for disseminating ideas, wish to assert the public interest in the preservation of the freedom to read. 

Most attempts at suppression rest on a denial of the fundamental premise of democracy: that the ordinary individual, by exercising critical judgment, will select the good and reject the bad. We trust Americans to recognize propaganda and misinformation, and to make their own decisions about what they read and believe. We do not believe they are prepared to sacrifice their heritage of a free press in order to be 
"protected" against what others think may be bad for them. We believe they still favor free enterprise in ideas and expression. 

These efforts at suppression are related to a larger pattern of pressures being brought against education, the press, art and images, films, broadcast media, and the Internet. The problem is not only one of actual censorship. The shadow of fear cast by these pressures leads, we suspect, to an even larger voluntary curtailment of expression by those who seek to avoid controversy or unwelcome scrutiny by government officials. 

Such pressure toward conformity is perhaps natural to a time of accelerated change. And yet suppression is never more dangerous than in such a time of social tension. Freedom has given the United States the elasticity to endure strain. Freedom keeps open the path of novel and creative solutions, and enables change to come by choice. Every silencing of a heresy, every enforcement of an orthodoxy, diminishes the toughness and resilience of our society and leaves it the less able to deal with controversy and difference. 

Now as always in our history, reading is among our greatest freedoms. The freedom to read and write is almost the only means for making generally available ideas or manners of expression that can initially command only a small audience. The written word is the natural medium for the new idea and the untried voice from which come the original contributions to social growth. It is essential to the extended discussion that serious thought requires, and to the accumulation of knowledge and ideas into organized collections. 

We believe that free communication is essential to the preservation of a free society and a creative culture. We believe that these pressures toward conformity present the danger of limiting the range and variety of inquiry and expression on which our democracy and our culture depend. We believe that every American community must jealously guard the freedom to publish and to circulate, in order to preserve its own freedom to read. We believe that publishers and librarians have a profound responsibility to give validity to that freedom to read by making it possible for the readers to choose freely from a variety of offerings. 

The freedom to read is guaranteed by the Constitution. Those with faith in free people will stand firm on these constitutional guarantees of essential rights and will exercise the responsibilities that accompany these rights. 

We therefore affirm these propositions:

1. It is in the public interest for publishers and librarians to make available the widest diversity of views and expressions, including those that are unorthodox, unpopular, or considered dangerous by the majority. Creative thought is by definition new, and what is new is different. The bearer of every new thought is a rebel until that idea is refined and tested. Totalitarian systems attempt to maintain themselves in power by the ruthless suppression of any concept that challenges the established orthodoxy. The power of a democratic system to adapt to change is vastly strengthened by the freedom of its citizens to choose widely from among conflicting opinions offered freely to them. To stifle every nonconformist idea at birth would mark the end of the democratic process. Furthermore, only through the constant activity of weighing and selecting can the democratic mind attain the strength demanded by times like these. We need to know not only what we believe but why we believe it.
2. Publishers, librarians, and booksellers do not need to endorse every idea or presentation they make available. It would conflict with the public interest for them to establish their own political, moral, or aesthetic views as a standard for determining what should be published or circulated.
   Publishers and librarians serve the educational process by helping to make available knowledge and ideas required for the growth of the mind and the increase of learning. They do not foster education by imposing as mentors the patterns of their own thought. The people should have the freedom to read and consider a broader range of ideas than those that may be held by any single librarian or publisher or government or church. It is wrong that what one can read should be confined to what another thinks proper.
3. It is contrary to the public interest for publishers or librarians to bar access to writings on the basis of the personal history or political affiliations of the author.
   No art or literature can flourish if it is to be measured by the political views or private lives of its creators. No society of free people can flourish that draws up lists of writers to whom it will not listen, whatever they may have to say.
4. There is no place in our society for efforts to coerce the taste of others, ta confine adults ta the reading matter deemed suitable for adolescents, or to inhibit the efforts of writers to achieve artistic expression.
   To some, much of modern expression is shocking. But is not much of life itself shocking? We cut off literature at the source if we prevent writers from dealing with the stuff of life. Parents and teachers have a responsibility to prepare the young to meet the diversity of experiences in life to which they will be exposed, as they have a responsibility to help them learn to think critically for themselves. These are affirmative responsibilities, not to be discharged simply by preventing them from reading works for which they are not yet prepared. In these matters values differ, and values cannot be legislated; nor can machinery be devised that will suit the demands of one group without limiting the freedom of others.
5. It is not in the public interest to force a reader to accept the prejudgment of a label characterizing any expression or its author as subversive or dangerous. The ideal of labeling presupposes the existence of individuals or groups with wisdom to determine by authority what is good or bad for others. It presupposes that individuals must be directed in making up their minds about the ideas they examine. But Americans do not need others to do their thinking for them. 
6. It is the responsibility of publishers and librarians, as guardians of the people's freedom to read, to contest encroachments upon that freedom by individuals or groups seeking to impose their own standards or tastes upon the community at large; and by the government whenever it seeks to reduce or deny public access to public information.
   It is inevitable in the give and take of the democratic process that the political, the moral, or the aesthetic concepts of an individual or group will occasionally collide with those of another individual or group. In a free society individuals are free to determine for themselves what they wish to read, and each group is free to determine what it will recommend to its freely associated members. But no group has the right to take the law into its own hands, and to impose its own concept of politics or morality upon other members of a democratic society. Freedom is no freedom if it is accorded only to the accepted and the inoffensive. Further, democratic societies are more safe, free, and creative when the free flow of public information is not restricted by governmental prerogative or self ­censorship.
7. It is the responsibility of publishers and librarians to give full meaning to the freedom to read by providing books that enrich the quality and diversity of thought and expression. By the exercise of this affirmative responsibility, they can demonstrate that the answer to a "bad" book is a good one, the answer to a "bad" idea is a good one.
   The freedom to read is of little consequence when the reader cannot obtain matter fit for that reader's purpose. What is needed is not only the absence of restraint, but the positive provision of opportunity for the people to read the best that has been thought and said. Books are the major channel by which the intellectual inheritance is handed down, and the principal means of its testing and growth. The defense of the freedom to read requires of all publishers and librarians the utmost of their faculties, and deserves of all Americans the fullest of their support.

We state these propositions neither lightly nor as easy generalizations. We here stake out a lofty claim for the value of the written word. We do so because we believe that it is possessed of enormous variety and usefulness, worthy of cherishing and keeping free. We realize that the application of these propositions may mean the dissemination of ideas and manners of expression that are repugnant to many persons. We do not state these propositions in the comfortable belief that what people read is unimportant. We believe rather that what people read is deeply important; that ideas can be dangerous; but that the suppression of ideas is fatal to a democratic society. Freedom itself is a dangerous way of life, but it is ours. 

This statement was originally issued in May of 1953 by the Westchester Conference of the American Library Association and the American Book Publishers Council, which in 1970 consolidated with the American Educational Publishers Institute to become the Association of American Publishers. 

Adopted June 25, 1953, by the ALA Council and the AAP Freedom to Read Committee; amended January 28, 1972; January 16, 1991; July 12, 2000; June 30, 2004. 

A Joint Statement by: 

American Library Association (/) 
Association of American Publishers (http://www.publishers.org/) 
Subsequently endorsed by: 
American Booksellers for Free Expression (http://www.bookweb.org/abfe) 
The Association of American University Presses (http://www.aaupnet.org/) 
The Children's Book Council (http://www.cbcbooks.org/) 
Freedom to Read Foundation (http://www.ftrf.org) 
National Association of College Stores (http://www.nacs.org/) 
National Coalition Against Censorship (http://www.ncac.org/) 
National Council of Teachers of English (http://www.ncte.org/) 
The Thomas Jefferson Center for the Protection of Free Expression (http://www.tjcenter.org)

Freedom to View Statement

The FREEDOM TO VIEW, along with the freedom to speak, to hear, and to read, is protected by the First Amendment to the Constitution of the United States. In a free society, there is no place for censorship of any medium of expression. Therefore these principles are affirmed: 

1. To provide the broadest access to film, video, and other audiovisual materials because they are a means for the communication of ideas. Liberty of circulation is essential to insure the constitutional guarantees of freedom of expression.
2. To protect the confidentiality of all individuals and institutions using film, video, and other audiovisual materials.
3. To provide film, video, and other audiovisual materials which represent a diversity of views and expression. Selection of a work does not constitute or imply agreement with or approval of the content.
4. To provide a diversity of viewpoints without the constraint of labeling or prejudging film, video, or other audiovisual materials on the basis of the moral, religious, or political beliefs of the producer or filmmaker or on the basis of controversial content.
5. To contest vigorously, by all lawful means, every encroachment upon the public's freedom to view.

This statement was originally drafted by the Freedom to View Committee of the American Film and Video Association (formerly the Educational Film Library Association) and was adopted by the AFVA Board of Directors in February 1979. This statement was updated and approved by the AFVA Board of Directors in 1989. 

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Montana State Standards (updated July 2021, to be fully implemented by June 2026)
Montana Content Standards for Information Literacy-Media

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Belgrade School District #44 School Board Policies related to the Library

• Instruction: Library Materials 2309
• Instruction: Selection of Library Materials 2310
• Instruction: Selection of Library Materials 2310-P(1)
• Instruction: Weeding 2310-P(1)
• Instruction: Gifts 2310-P(1)

Belgrade School District #44 School Board Policies related to other aspects of the policy.

• Student Fees and Fines 3520
• Student Discipline 3310
• Copyright and Copyright Compliance 2312, 2312-P(1)

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Belgrade High School Library Learning Commons Collection Circulation Report (Jan 26, 2022)

Gale Database Usage Reports by Database (2017 - Jan 26, 2022)

Gale eBook Retrievals (Fall 2020 - Jan 26, 2022) 

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Student Laptop User Agreement Form

Understanding Responsibilities: Students and parents, please initial each statement to indicate that you understand what is being asked of you. 

___ I understand that it is my responsibility to make sure that the laptop that I  have been provided is properly taken care of while it is in my possession. 

___ I understand that there may be charges if the laptop or accessories are  damaged, lost or stolen. The cost to replace the laptop is $700; charger is  $60. The cost to remove or reinstall programs is $40/hour. 

___ I understand and have read the Belgrade High School Computer  Resource/Panthernet Policy Student/Parent Handbook and agree to abide by the rules listed.

___The school laptop computer is only to be used for school approved activities. I understand that I am not allowed to play or download games, personal email, access YouTube, Facebook, or any other form of social media or music sites on the school laptop computer that I have been allowed to check out.

___I understand that my privilege of using a laptop may be revoked if:

• I leave the laptop in an unsecured area including  an unlocked car or vehicle
• The laptop is maliciously damaged
• I purposefully damage the laptop
• I lend the laptop to anyone
• The laptop is involved in recurrent reckless activities or used to play games or visit other unauthorized sites
• I disregard Belgrade High School's Student/Parent Handbook Acceptable Use Policy

___I understand that it is my responsibility to return the laptop that has been provided to me, at the due date, or if  I withdraw from Belgrade High School.

Our signatures below indicated that we have read and understand all components of the Laptop Loan and User Agreement.

Student name (print):

Signed/Date:

Parent name (print):

Signed/Date:

Referred by/Date:

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An Overview of Copyright, Fair Use, and Academic Integrity
U.S. Copyright Law (Title 17) Chapter 1: Sections 102,107,108,110
Copyright and Fair Use Guidelines for Teachers
Fair Use Checklist 
10 Things You Should Know About Copyright
Belgrade High School Student/Parent Handbook
Citing Sources: Plagiarism
Avoiding Plagiarism Decision Tree 
Research Note-Taking Template
Step 2: Do The Search 
Belgrade High Library Services

An Overview of Copyright, Fair Use, and Academic Integrity:

We recognize the importance of helping our students and staff build safe, ethical, and legal media literacy habits, especially when using, creating, and sharing information in the digital age. We will work to actively educate, support, and promote copyright and fair use practices in our school community. We will also work to promote academic integrity, educate our community about plagiarism, and offer support to help prevent it. 

Copyright and fair use guidelines are federal laws that allow the public to ethically and lawfully use or share others' work while still protecting the personal work and rights of the individuals and groups attributed to that work. Specific copyright and fair use federal laws can be found on the United States copyright webpage: copyright.gov and are outlined in schoolboard policy R2312 P. Relevant sections of these laws and additional support resources for students and staff can also be found in Appendix G of the Belgrade High School library Learning Commons Collection Policy. 

Academic Integrity is greatly valued at Belgrade High School and allows us to create a rich, safe, and equitable learning environment for all students. Demonstrating academic integrity includes, but is not limited to, accurately crediting (or citing) outside resources used within student work. Providing precise and accurate citations and taking strong research notes are essential to maintaining academic integrity and avoiding plagiarism. Academic Integrity also involves consistently using quality resources, giving quality effort, and practicing fair use protocols to ethically share resources and information. 

The Belgrade High School Library Learning Commons has a wide variety of resources to help students demonstrate academic integrity and prevent plagiarism. Some of these resources can be accessed on our Belgrade High School Library Webpage under our "Research Help" tab. Many of our on line databases (i.e. our Gale and World Book Online resources) include built-in citation help tools. Related print resources are available for checkout (i.e.: The Modern Language Association Handbook, The American Psychological Association Publication Manual, and The Associated Press Stylebook). Academic integrity and plagiarism prevention are also explicitly addressed in our required-for-graduation Media Literacy Orientation class. Other plagiarism prevention support services, materials, and resources can be found in Appendix G of the Belgrade High School Library Learning Commons Collection Policy and by contacting our Belgrade High School Teacher-Librarians. 

U.S. Copyright Law (Title 17) Chapter 1: Sections 102,107,108,110

102.    Subject matter of copyright: In general
(a)    Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories:

1. literary works;
2. musical works, including any accompanying words;
3. dramatic works, including any accompanying music;
4. pantomimes and choreographic works;
5. pictorial, graphic, and sculptural works;
6. motion pictures and other audiovisual works;
7. sound recordings; and
8. architectural works.

(b) In no case does copyright protection for an original work of authorship extend to any idea,
procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work. 

107. Limitations on exclusive rights: Fair use

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include-

1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes
2. the nature of the copyrighted work;
3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
4. the effect of the use upon the potential market for or value of the copyrighted work.
5. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors

108.    Limitations on exclusive rights: Reproduction by libraries and archives
(a)    Except as otherwise provided in this title and notwithstanding the provisions of section 106, it is not an infringement of copyright for a library or archives, or any of its employees acting within the scope of their employment, to reproduce no more than one copy or phonorecord of a work, except as provided in subsections (b) and (c), or to distribute such copy or phonorecord, under the conditions specified by this section, if-

1. the reproduction or distribution is made without any purpose of direct or indirect commercial advantage; 
2. the collections of the library or archives are (i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field; and 
3. the reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this section. 

(b) The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a}, if-

1. the copy or phonorecord reproduced is currently in the collections of the library or archives; and 
2. any such copy or phonorecord that is reproduced in digital format is not otherwise distributed in that format and is not made available to the public in that format outside the premises of the library or archives. 

(c) The right of reproduction under this section applies to three copies or phonorecords of a
published work duplicated solely for the purpose of replacement of a copy or phonorecord that is damaged, deteriorating, lost, or stolen, or if the existing format in which the work is stored has become obsolete, if-

1. the library or archives has, after a reasonable effort, determined that an unused replacement cannot be obtained at a fair price; and 
2. any such copy or phonorecord that is reproduced in digital format is not made available to the public in that format outside the premises of the library or archives in lawful possession of such copy. 

For purposes of this subsection, a format shall be considered obsolete if the machine or device necessary to render perceptible a work stored in that format is no longer manufactured or is no longer reasonably available in the commercial marketplace. 

(d) The rights of reproduction and distribution under this section apply to a copy, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, of no more than one article or other contribution to a copyrighted collection or periodical issue, or to a copy or phonorecord of a small part of any other copyrighted work, if-

1. (the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and 
2. the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. 

(e) The rights of reproduction and distribution under this section apply to the entire work, or to a substantial part of it, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, if the library or archives has first determined, on the basis of a reasonable investigation, that a copy or phonorecord of the copyrighted work cannot be obtained at a fair price, if-

1. the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and 
2. the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by the regulation.

(f) Nothing in this section-

1. shall be construed to impose liability for copyright infringement upon a library or archives or its employees for the unsupervised use of reproducing equipment located on its premises: Provided, That such equipment displays a notice that the making of a copy may be subject to the copyright law; 
2. excuses a person who uses such reproducing equipment or who requests a copy or phonorecord under subsection (d) from liability for copyright infringement for any such act, or for any later use of such copy or phonorecord, if it exceeds fair use as provided by section 107; 
3. shall be construed to limit the reproduction and distribution by lending of a limited number of copies and excerpts by a library or archives of an audiovisual news program, subject to clauses (1), (2), and (3) of subsection (a); or 
4. in any way affects the right of fair use as provided by section 107, or any contractual obligations assumed at any time by the library or archives when it obtained a copy or phonorecord of a work in its collections. 

(g) The rights of reproduction and distribution under this section extend to the isolated and
unrelated reproduction or distribution of a single copy or phonorecord of the same material on separate occasions, but do not extend to cases where the library or archives, or its employee-

1. is aware or has substantial reason to believe that it is engaging in the related or concerted reproduction or distribution of multiple copies or phonorecords of the same material, whether made on one occasion or over a period of time, and whether intended for aggregate use by one or more individuals or for separate use by the individual members of a group; or 
2. engages in the systematic reproduction or distribution of single or multiple copies or phonorecords of material described in subsection (d): Provided, That nothing in this clause prevents a library or archives from participating in interlibrary arrangements that do not have, as their purpose or effect, that the library or archives receiving such copies or phonorecords for distribution does so in such aggregate quantities as to substitute for a subscription to or purchase of such work. 

(h)

1. For purposes of this section, during the last 20 years of any term of copyright of a published work, a library or archives, including a nonprofit educational institution that functions as such, may reproduce, distribute, display, or perform in facsimile or digital form a copy or phonorecord of such work, or portions thereof, for purposes of preservation, scholarship, or research, if such library or archives has first determined, on the basis of a reasonable investigation, that none of the conditions set forth in subparagraphs (A), (8), and (C) of paragraph (2) apply. 
2. No reproduction, distribution, display, or performance is authorized under this subsection if­
   1. the work is subject to normal commercial exploitation;
   2. a copy or phonorecord of the work can be obtained at a reasonable price; or
   3. the copyright owner or its agent provides notice pursuant to regulations promulgated by the Register of Copyrights that either of the conditions set forth in subparagraphs (A) and (8) applies. 
3. The exemption provided in this subsection does not apply to any subsequent uses by users other than such library or archives. 

(i) The rights of reproduction and distribution under this section do not apply to a musical work, a pictorial, graphic or sculptural work, or a motion picture or other audiovisual work other than an audiovisual work dealing with news, except that no such limitation shall apply with respect to rights granted by subsections (b), (c), and (h), or with respect to pictorial or graphic works published as illustrations, diagrams, or similar adjuncts to works of which copies are reproduced or distributed in accordance with subsections (d) and (e). 

110. Limitations on exclusive rights: Exemption of certain performances and displays
Notwithstanding the provisions of section 106, the following are not infringements of copyright:

1. performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction, unless, in the case of a motion picture or other audiovisual work, the performance, or the display of individual images, is given by means of a copy that was not lawfully made under this title, and that the person responsible for the performance knew or had reason to believe was not lawfully made; 
2. except with respect to a work produced or marketed primarily for performance or display as part of mediated instructional activities transmitted via digital networks, or a performance or display that is given by means of a copy or phonorecord that is not lawfully made and acquired under this title, and the transmitting government body or accredited nonprofit educational institution knew or had reason to believe was not lawfully made and acquired, the performance of a nondramatic literary or musical work or reasonable and limited portions of any other work, or display of a work in an amount comparable to that which is typically displayed in the course of a live classroom session, by or in the course of a transmission, if-
   1. the performance or display is made by, at the direction of, or under the actual supervision of an instructor as an integral part of a class session offered as a regular part of the systematic mediated instructional activities of a governmental body or an accredited nonprofit educational institution; 
   2. the performance or display is directly related and of material assistance to the teaching content of the transmission; 
   3. the transmission is made solely for, and, to the extent technologically feasible, the reception of such transmission is limited to-
      1. students officially enrolled in the course for which the transmission is made; or
      2. officers or employees of governmental bodies as a part of their official duties or employment; and
   4. the transmitting body or institution-
      1. institutes policies regarding copyright, provides informational materials to faculty, students, and relevant staff members that accurately describe, and promote compliance with, the laws of the United States relating to copyright, and provides notice to students that materials used in connection with the course may be subject to copyright protection; and 
      2. in the case of digital transmissions-
         1. applies technological measures that reasonably prevent-
            1. retention of the work in accessible form by recipients of the transmission from the transmitting body or institution for longer than the class session; and 
            2. unauthorized further dissemination of the work in accessible form by such recipients to others; and 
         2. does not engage in conduct that could reasonably be expected to interfere with technological measures used by copyright owners to prevent such retention or unauthorized further dissemination; 

3. performance of a nondramatic literary or musical work or of a dramatico-musical work of a religious nature, or display of a work, in the course of services at a place of worship or other religious assembly;

4.  

   performance of a nondramatic literary or musical work otherwise than in a transmission to the public, without any purpose of direct or indirect commercial advantage and without payment of any fee or other compensation for the performance to any of its performers, promoters, or organizers, if—

   1. there is no direct or indirect admission charge; or

   2. the proceeds, after deducting the reasonable costs of producing the performance, are used exclusively for educational, religious, or charitable purposes and not for private financial gain, except where the copyright owner has served notice of objection to the performance under the following conditions:

      1. the notice shall be in writing and signed by the copyright owner or such owner’s duly authorized agent; and

      2. the notice shall be served on the person responsible for the performance at least seven days before the date of the performance, and shall state the reasons for the objection; and

      3. the notice shall comply, in form, content, and manner of service, with requirements that the Register of Copyrights shall prescribe by regulation;

5.  

   1. except as provided in subparagraph (B), communication of a transmission embodying a performance or display of a work by the public reception of the transmission on a single receiving apparatus of a kind commonly used in private homes, unless—

      1. a direct charge is made to see or hear the transmission; or

      2. the transmission thus received is further transmitted to the public;

   2.  

      communication by an establishment of a transmission or retransmission embodying a performance or display of a nondramatic musical work intended to be received by the general public, originated by a radio or television broadcast station licensed as such by the Federal Communications Commission, or, if an audiovisual transmission, by a cable system or satellite carrier, if

      —in the case of an establishment other than a food service or drinking establishment, either the establishment in which the communication occurs has less than 2,000 gross square feet of space (excluding space used for customer parking and for no other purpose), or the establishment in which the communication occurs has 2,000 or more gross square feet of space (excluding space used for customer parking and for no other purpose) and—

       

      if the performance is by audio means only, the performance is communicated by means of a total of not more than 6 loudspeakers, of which not more than 4 loudspeakers are located in any 1 room or adjoining outdoor space; or

       

      if the performance or display is by audiovisual means, any visual portion of the performance or display is communicated by means of a total of not more than 4 audiovisual devices, of which not more than 1 audiovisual device is located in any 1 room, and no such audiovisual device has a diagonal screen size greater than 55 inches, and any audio portion of the performance or display is communicated by means of a total of not more than 6 loudspeakers, of which not more than 4 loudspeakers are located in any 1 room or adjoining outdoor space;

   3. (iii)

      no direct charge is made to see or hear the transmission or retransmission;

      (iv)the transmission or retransmission is not further transmitted beyond the establishment where it is received; and

      (v)the transmission or retransmission is licensed by the copyright owner of the work so publicly performed or displayed;

      (6)performance of a nondramatic musical work by a governmental body or a nonprofit agricultural or horticultural organization, in the course of an annual agricultural or horticultural fair or exhibition conducted by such body or organization; the exemption provided by this clause shall extend to any liability for copyright infringement that would otherwise be imposed on such body or organization, under doctrines of vicarious liability or related infringement, for a performance by a concessionnaire, business establishment, or other person at such fair or exhibition, but shall not excuse any such person from liability for the performance;

      (7)performance of a nondramatic musical work by a vending establishment open to the public at large without any direct or indirect admission charge, where the sole purpose of the performance is to promote the retail sale of copies or phonorecords of the work, or of the audiovisual or other devices utilized in such performance, and the performance is not transmitted beyond the place where the establishment is located and is within the immediate area where the sale is occurring;

      (8)performance of a nondramatic literary work, by or in the course of a transmission specifically designed for and primarily directed to blind or other handicapped persons who are unable to read normal printed material as a result of their handicap, or deaf or other handicapped persons who are unable to hear the aural signals accompanying a transmission of visual signals, if the performance is made without any purpose of direct or indirect commercial advantage and its transmission is made through the facilities of: (i) a governmental body; or (ii) a noncommercial educational broadcast station (as defined in section 397 of title 47); or (iii) a radio subcarrier authorization (as defined in 47 CFR 73.293–73.295 and 73.593–73.595); or (iv) a cable system (as defined in section 111(f));

      (9)performance on a single occasion of a dramatic literary work published at least ten years before the date of the performance, by or in the course of a transmission specifically designed for and primarily directed to blind or other handicapped persons who are unable to read normal printed material as a result of their handicap, if the performance is made without any purpose of direct or indirect commercial advantage and its transmission is made through the facilities of a radio subcarrier authorization referred to in clause (8)(iii), Provided, That the provisions of this clause shall not be applicable to more than one performance of the same work by the same performers or under the auspices of the same organization;

      (10)notwithstanding paragraph (4), the following is not an infringement of copyright: performance of a nondramatic literary or musical work in the course of a social function which is organized and promoted by a nonprofit veterans’ organization or a nonprofit fraternal organization to which the general public is not invited, but not including the invitees of the organizations, if the proceeds from the performance, after deducting the reasonable costs of producing the performance, are used exclusively for charitable purposes and not for financial gain. For purposes of this section the social functions of any college or university fraternity or sorority shall not be included unless the social function is held solely to raise funds for a specific charitable purpose; and

      (11)the making imperceptible, by or at the direction of a member of a private household, of limited portions of audio or video content of a motion picture, during a performance in or transmitted to that household for private home viewing, from an authorized copy of the motion picture, or the creation or provision of a computer program or other technology that enables such making imperceptible and that is designed and marketed to be used, at the direction of a member of a private household, for such making imperceptible, if no fixed copy of the altered version of the motion picture is created by such computer program or other technology.

      The exemptions provided under paragraph (5) shall not be taken into account in any administrative, judicial, or other governmental proceeding to set or adjust the royalties payable to copyright owners for the public performance or display of their works. Royalties payable to copyright owners for any public performance or display of their works other than such performances or displays as are exempted under paragraph (5) shall not be diminished in any respect as a result of such exemption.

      In paragraph (2), the term “mediated instructional activities” with respect to the performance or display of a work by digital transmission under this section refers to activities that use such work as an integral part of the class experience, controlled by or under the actual supervision of the instructor and analogous to the type of performance or display that would take place in a live classroom setting. The term does not refer to activities that use, in 1 or more class sessions of a single course, such works as textbooks, course packs, or other material in any media, copies or phonorecords of which are typically purchased or acquired by the students in higher education for their independent use and retention or are typically purchased or acquired for elementary and secondary students for their possession and independent use.

      For purposes of paragraph (2), accreditation—

      (A)with respect to an institution providing post-secondary education, shall be as determined by a regional or national accrediting agency recognized by the Council on Higher Education Accreditation or the United States Department of Education; and

      (B)with respect to an institution providing elementary or secondary education, shall be as recognized by the applicable state certification or licensing procedures.

      For purposes of paragraph (2), no governmental body or accredited nonprofit educational institution shall be liable for infringement by reason of the transient or temporary storage of material carried out through the automatic technical process of a digital transmission of the performance or display of that material as authorized under paragraph (2). No such material stored on the system or network controlled or operated by the transmitting body or institution under this paragraph shall be maintained on such system or network in a manner ordinarily accessible to anyone other than anticipated recipients. No such copy shall be maintained on the system or network in a manner ordinarily accessible to such anticipated recipients for a longer period than is reasonably necessary to facilitate the transmissions for which it was made.

      For purposes of paragraph (11), the term “making imperceptible” does not include the addition of audio or video content that is performed or displayed over or in place of existing content in a motion picture.

      Nothing in paragraph (11) shall be construed to imply further rights under section 106 of this title, or to have any effect on defenses or limitations on rights granted under any other section of this title or under any other paragraph of this section.

Copyright and Fair Use Guidelines for Teachers From techlearning.com

Fair Use Checklist: Introduction From The Indiana University Copyright Management Center

10 Things You Should Know About Copyright From copyrightandcreativity.org

Citing Sources: Plagiarism Reference page from Morehead State University's Camden-Carroll Library

Avoiding Plagiarism Decision Tree From Indiana University

Research Note-Taking Template Resource from the Belgrade High Librarians

Do the Search Resource from the Belgrade High Librarians

Library Services

1. Find Classroom & Reading Resources: We host 9 Gale online databases (190+ Gale eBooks, primary sources, current events, etc.), World Book Online, Follett eBooks (fiction and non), 6,000+ print books, helpful links on our library website, and so much more. If we don't have it, we can help you track it down. 
2. Navigate Research Units & Lessons: Teaching research can be hard. We can help you plan and even co-teach research lessons. We are also happy to share helpful resources and teaching strategies (ex: digital text sets/ collections).
3. Prevent and Manage Plagiarism Issues: We can help you stay on top of plagiarism issues by providing preventative classroom resources, lessons, and access to our online plagiarism checker service (Unicheck).
4. Reserve Discussion & Work Spaces: We offer inviting discussion, collaboration, and quiet work spaces for staff and students. We also host a 24-desktop computer lab with student printer access. Contact us to reserve your spot. 
5. Bind: Bring your binding projects to the library. If we can, we'll bind it for you. If not, we'll show you how. Projects must be related to our high school.

Visit the BHS library today! hslibrarians@bsd44.org